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ARCHIVAL WORK · ORIGINAL CHINESE

3.06 他倒在深爱的土地上

叶国治 · 中文原文 · 依据纸本逐页转录
Read the approved English translation ↓

——悼念杨章熹老师

我们敬爱的校长杨章熹老师去世已经18年了。今天,再次翻看当年追悼会上拍摄的照片,杨老师的遗体用白布覆盖着,遗体旁,杜坚老师和子女们悲痛欲绝的情景,使我们心头酸楚,为之神伤。

杨老师是个多么好的人啊,他一生为党为国,做到了“春蚕到死丝方尽,蜡烛成灰泪始干。”从青年时代起,他就热爱真理,追求光明,他为了寻求解救社会的良方,努力学习马克思主义。他曾写过一本社会发展唯物史观的册子,这是他的世界观和人生观大转折过程的记录和总结。

从1938年起,他就和黄绰卿等人,创办了中华民族解放先锋队缅甸队部,有组织地宣传马列主义和党的各项政治主张,开展了缅华抗日救亡的群众运动。为了把多数青年团结起来,用歌声唤起侨胞爱国热情,支援抗日,他积极推动和开展了华侨青年的歌咏活动。1940年6月1日,缅华叱咤合唱团编选了《叱咤歌集》,他用兰胜的笔名为之写了前言。

1940年,为了让许多没有机会上学的青年店员、工友能够受到教育,他在仰光

只荷担创办了仰华公学。可惜开办不久,日寇入侵。战后复办,这间学校改名为仰华业余公学。杨老师回国后,学校交由曾冠英负责。

1947年,仰光华侨中学在战争的废墟上重建,杨章熹老师担负教务主任一职,他为重建的华中尽心尽力,写了《重建旧华中》歌词,歌词里宣扬了他为华中制定的方向和校风:“重建旧华中,扬我新校风,整肃而能动,致实更持公。”一年后,华中有了新校歌,这首代校歌以后就失传了。

1949年,杨章熹老师到南中,接任校务主任(后改为校长)职。这时,我在南中读中二班,原班主任王鹏年回国,杨老师兼我们的班主任,教授国文课。杨老师是个和蔼可亲的人,从来没有对学生发过脾气,教学上是认真负责的。

有一次上国文课,他讲艾青的《吹号者》一诗。他朗诵时,贯注了满腔热情,同学们都静静地听着:“他以催促的热情/吹出了出发号/给前进着步伐/做了优美的拍节。”他左手捏着课本,右手在头上扬起。眯细的眼睛透过高度近视镜片,凝视着天花板。他那真情流露的发音,他那准确的吐字,感染了正在聆听的同学们。此情此景,至今还深深地烙在我的脑海中。

杨老师回国后,先后在北京华侨补校、厦门大学、泉州大学工作,直到逝世。杨老师的一生,为华侨教育,兢兢业业;为抗日救国,积极奔走;为新中国的诞生和建设,贡献了精力。他就像一个吹号者,以饱满的热情,呕心沥血地吹着出发号。

我和杨老师有几十年未见面了。听说在文革中他受了许多委屈和折磨。1981年11月18日,他停止了呼吸。“他倒下了/倒在深深爱着的土地上。”今天,我在写这篇纪念文章的时候,耳边仿佛还在响着他的声音:“听啊,那号角好像依然在响。”……

注:文中的引文是艾青的诗句。

APPROVED ENGLISH TRANSLATION

He Fell Upon the Land He Loved

Ye Guozhi · English translation · Approved by the family

Our beloved principal, Teacher Yang Zhangxi, has been gone for eighteen years. Today, looking again at photographs taken at his memorial service, seeing Teacher Yang’s body covered with a white cloth and, beside him, Teacher Du Jian and his children overwhelmed with grief, my heart aches and my spirit sinks.

What a good man Teacher Yang was. Throughout his life he worked for the Party and the country, truly living out the words: “The spring silkworm spins until death; the candle’s tears dry only when it has burned to ash.” From his youth, he loved truth and pursued light. Seeking a remedy that might save society, he worked hard to study Marxism. He once wrote a booklet on the materialist conception of social development. It recorded and summarized the process through which his worldview and outlook on life underwent a great transformation.

Beginning in 1938, together with Huang Chaoqing and others, he helped establish the Burma branch of the Vanguard for Chinese National Liberation, systematically publicizing Marxism-Leninism and the Party’s political positions and organizing mass movements among the Burmese Chinese for resistance against Japan and national salvation. To unite the greatest number of young people, awaken patriotic feeling through song, and support the War of Resistance, he actively promoted singing activities among overseas Chinese youth. On June 1, 1940, the Burmese Chinese Chizha Chorus compiled the Chizha Songbook, and he wrote its preface under the pen name Lansheng.

In 1940, so that young shop clerks and workers who had no opportunity to attend school could receive an education, he single-handedly established the Rangoon Chinese Public School. Unfortunately, not long after it opened, the Japanese invaders arrived. After the war it reopened under the name Rangoon Chinese Evening Public School. When Teacher Yang returned to China, the school was handed over to Zeng Guanying.

In 1947, Rangoon Overseas Chinese Middle School was rebuilt from the ruins of war, and Teacher Yang Zhangxi took responsibility as director of academic affairs. He devoted himself to rebuilding the school and wrote the lyrics “Rebuild the Old Overseas Chinese Middle School.” In those lyrics he proclaimed the direction and school spirit he had set for it:

“Rebuild the old Overseas Chinese Middle School, Raise up our new school spirit; Disciplined, yet full of action, Practical, and steadfastly fair.”

A year later, the school adopted a new school song, and this temporary song was eventually lost.

In 1949, Teacher Yang went to Nanyang Middle School and took over as director of school affairs, later becoming principal. At the time I was in the second year of junior middle school there. Our original homeroom teacher, Wang Pengnian, had returned to China, so Teacher Yang also became our homeroom teacher and taught Chinese. He was gentle and approachable and never once lost his temper with students. In teaching, he was conscientious and responsible.

Once in Chinese class, he taught Ai Qing’s poem “The Bugler.” When he recited it, he poured his whole heart into the words, and the students sat quietly listening:

“With urging passion He blew the signal to set out, Giving the advancing footsteps A beautiful rhythm.”

He held the textbook in his left hand and raised his right hand above his head. His narrowed eyes, behind thick myopic lenses, stared toward the ceiling. The genuine feeling in his voice, his clear and exact pronunciation, deeply moved the students listening to him. That scene remains branded in my memory to this day.

After Teacher Yang returned to China, he worked successively at the Beijing Overseas Chinese Supplementary School, Xiamen University, and Quanzhou University, remaining in education until his death. Throughout his life he worked diligently for overseas Chinese education, ran actively for the cause of resistance against Japan and national salvation, and gave his energy to the birth and construction of New China. He was like a bugler, blowing the call to set out with full passion and with all the strength of his heart.

Teacher Yang and I did not see each other for decades. I heard that during the Cultural Revolution he suffered many injustices and torments. On November 18, 1981, he stopped breathing.

“He fell— Fell upon the land he loved so deeply.”

Today, as I write this memorial piece, I can almost still hear his voice beside my ear:

“Listen—the bugle seems still to be sounding.” …

Note: The quoted lines in this article are from poems by Ai Qing.