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ARCHIVAL WORK · ORIGINAL CHINESE

4.04 红太阳广场

叶国治 · 中文原文 · 依据纸本逐页转录
Read the approved English translation ↓

有天,在翻看几大本厚厚的相册里,发现一张小二寸黑白像。我拿给老伴看:

“你瞧,好可爱啊!”一个4岁小姑娘仰头笑着,那么天真,那么无邪,令人想在她的小脸上捏上一捏。她穿着碎白花无袖连衣短裙,白白嫩嫩的小脚丫踩着一双小拖鞋,倚着栏杆,背景是一幅毛泽东巨像,两旁是“大海航行……”的标语对联。小女孩开心地笑着,笑得你心中的烦恼都会云消雾散。

这张小照曾经被放大着色,展示在南屏街一间有名的像馆橱窗里。像片上印有“红太阳广场留念”几个字。

老伴端视着照片:“这个小模样,太可爱了。唉,就可惜那个电影院,我们才盖不久,就被拆了。”

忆起了往事,老伴心里就有一股痛楚和失落的感觉,仿佛匠人亲手制作的一件玻璃工艺品,突被撞碰在地,那种欲语难言的心态。

红太阳广场原址是昆明市工人文化宫,这是全市各族人民休闲娱乐,欢度节假

日的好去处。里面有光亮洁净的溜冰场;有老年人品茗喜听评书的茶室;有繁星满空的露天剧场;有茶花、菊花、玫瑰等奇花异草的园圃;有绿油油的花径,让父母牵着儿女在这里散步。还有听技术革新报告的礼堂;有工人业余学文化的课堂;有市民们探索知识海洋的图书馆;还有新翻建的有上千个座位的电影院。这个电影院是由市政公司二区施工筹盖的,老伴当年是工区的统计员,每天和建筑工人一起搬砖、筛沙、扎钢筋、挑灰浆,收工时又攀高爬低丈量施工进度。她们用汗水修建了一座漂亮的电影院,她们对自己亲手献出的劳动成果是有感情的。

谁想到文化革命当中,这座亮丽的文化宫遭到了噩运。市革命委员会成立后,造反派头头为了表示忠心,决议把文化宫拆毁,在原地修建一个红太阳广场。

为了在短期内完成这项政治任务,革委会动员全市各族人民,各机关、团体、企业、工厂、部队、学校、农村,抽调劳力,全力以赴,每日奋战二十四小时。当时,我们水泥厂每晚抽调二百人到工地搬砖、运废土。工地上汽车轰鸣,嘈声不断。看到这么一座雄伟漂亮的文化宫被夷为平地,个个心里都暗暗叹息。

在搬砖的队伍里,有人嘟囔:“好好的文化宫为哪样要拆掉?是不是得不偿失?”

立即有人丢过话来:“嘿,你有几个脑袋?”

于是,大家高唱革命歌曲把怨声掩盖。

文化宫在百万人的愚蠢的行动中消失了。

改革开放后,广场又重新修建了工人文化宫。去年,我趁世博会之风回昆游览,看见当年小女儿照像的地方,铺就了红花绿草,背面的检阅台已拆掉,几百盆鲜花堆成了华丽的图案。

文化宫是一个座好几层楼的大建筑,彩旗招展,汽球飘扬。宫里宫外,游客络绎不绝。

迎金色晨霞,浴万顷余晖。人们在这里打太极拳、练剑术、做晨操。宫前的东风大马路,人沸车喧,各路公共车站的旅客在这里上落。

红太阳广场,已在历史的河流里淹没沉淀。它除了在老一辈人记忆里留有印象外,年轻的人根本无从想像。

在广场上拍照的小女孩,如今是已逾而立之年的少妇,当年,人们那一段愚蠢而又无奈的行动,她也一点不知情。

“真的,太可爱了。”老伴握着小照微微叹道:“真的是岁月悠悠啊!”

APPROVED ENGLISH TRANSLATION

Red Sun Square

Ye Guozhi · English translation · Approved by the family

Red Sun Square

One day, while looking through several thick photo albums, I found a small black-and-white photograph about two inches wide. I showed it to my wife.

“Look—so adorable!”

A four-year-old girl looked upward and smiled, so innocent and carefree that you wanted to pinch her little cheek. She wore a sleeveless white-flowered dress, her soft bare feet in little slippers, leaning against a railing. Behind her was a huge portrait of Mao Zedong, with a slogan couplet on both sides beginning, “Sailing the seas depends on…” The little girl smiled so happily that all the troubles in your heart seemed to disappear.

That small photograph had once been enlarged and hand-colored, then displayed in the window of a well-known photography studio on Nanping Street. Printed on the picture were the words: “Souvenir of Red Sun Square.”

My wife studied the photograph. “That little face really was adorable. Ah, it’s just a pity about that movie theater. We had only just finished building it when they tore it down.”

Remembering the past brought a feeling of pain and loss into her heart, like a glass craftsman seeing something he had made with his own hands suddenly knocked to the ground and shattered—something difficult to put into words.

The site of Red Sun Square had originally been Kunming Workers’ Cultural Palace, a place where people of all ethnic groups in the city went for recreation and holidays. There was a bright, clean skating rink; a teahouse where older people drank tea and listened to storytelling; an open-air theater beneath a sky full of stars; flower gardens with camellias, chrysanthemums, roses, and other unusual blooms; and green garden paths where parents walked hand in hand with their children.

There was also a hall for reports on technical innovation, classrooms where workers studied in their spare time, a library where citizens could explore an ocean of knowledge, and a newly rebuilt cinema seating more than a thousand people.

That cinema had been constructed by the Second District of the Municipal Construction Company. At the time, my wife was the worksite statistician. Every day she worked alongside the construction workers, carrying bricks, screening sand, tying reinforcing steel, and hauling mortar. At the end of each day she climbed up and down the site to measure the progress of construction. They built that beautiful theater with their sweat, and naturally they had feelings for the result of their own labor.

Who could have imagined that during the Cultural Revolution this bright cultural palace would meet such a fate?

After the Municipal Revolutionary Committee was formed, rebel leaders, wanting to demonstrate their loyalty, decided to demolish the Cultural Palace and build a Red Sun Square on the site.

To complete this political task in a short time, the Revolutionary Committee mobilized the city’s people of every ethnic group. Government offices, organizations, enterprises, factories, military units, schools, and rural areas all had to provide labor. Work continued twenty-four hours a day.

At our cement factory, two hundred people were assigned every night to move bricks and haul away rubble. Trucks roared constantly at the site. The noise never stopped. Watching such a grand and beautiful cultural palace being leveled to the ground, everyone sighed secretly inside.

Among the workers carrying bricks, someone muttered, “Why tear down a perfectly good Cultural Palace? Isn’t this more loss than gain?”

Someone immediately shot back, “Hey—how many heads do you have?”

So everyone sang revolutionary songs to drown out the complaints.

The Cultural Palace disappeared in the foolish actions of a million people.

After reform and opening, the Workers’ Cultural Palace was rebuilt on the square. Last year, taking advantage of the World Expo to visit Kunming again, I went back and saw the place where my young daughter’s photograph had been taken. Red flowers and green grass now covered the grounds. The reviewing stand behind it had been removed. Hundreds of flower pots formed elaborate patterns.

The Cultural Palace now stood several stories high, with colorful flags fluttering and balloons floating overhead. Visitors streamed in and out.

People greeted the golden morning glow and bathed in the evening light. They practiced tai chi, sword exercises, and morning calisthenics. In front of the palace, Dongfeng Boulevard was filled with people and traffic, and passengers boarded and left buses from routes all over the city.

Red Sun Square has sunk into the river of history. Apart from memories retained by the older generation, young people today can scarcely imagine what it was like.

The little girl photographed in the square is now a married woman past thirty. She knows nothing at all about that period of foolish and helpless action in which people once took part.

“Really, she was so adorable.” My wife held the little photograph and sighed softly. “The years truly do flow on and on.”